个人印记
Ipersonal imprint
林金田，号云中山人，1955年生， 福建省安溪县人。1975年开始从事教育工作，退休后定居厦门。自幼酷爱书法，擅长行书、草书和篆隶。现为中国楹联学会会员，中国世纪大采风书画院院士，中国书画家联谊会新文艺群体书画家工作委员会委员、特聘书画家，承孔书院特聘书画家，曲阜鸿儒书画院艺术顾问，中央国家机关书法家协会会员，中国教育电视台水墨丹青书画院会员，英国牛津艺术学院博士生导师，福建省楹联学会理事，中国国艺人民书画院院士，华夏国艺书画艺术中心书画导师、签约书画家，中国老年书画研究会会员，厦门市工艺美术协会会员，厦门市书法家协会会员，中宣盛世国际书画院会员，中国民族建筑研究会书画艺术专业委员会客座教授、理事会理事，中国人美出版社荣誉社长。
Lin Jintian was born in 1955 in Anxi County, Fujian Province. He began to work in education in 1975 and settled in Xiamen after retirement. He is now a member of the Chinese Coulian Society, an academician of the China Century Great Wind Calligraphy and Painting Academy, a member of the New Literary Group calligrapher and Painter Working Committee of the Chinese Calligrapher and Painter Association, a special calligrapher and painter of Chengkong Academy, an art consultant of Qufu Hongru Calligraphy and Painting Academy, a member of the Central State Organs Calligrapher Association, and a member of China Education TV Ink Painting and Painting Academy. Doctoral supervisor of Oxford College of Art, director of Fujian Province Coulian Society, academician of Chinese People's Calligraphy and Painting Academy, calligraphy and painting instructor of Huaxia Calligraphy and Painting Art Center, signed calligraphy and painting painter, member of China Elderly Calligraphy and Painting Research Association, member of Xiamen Arts and Crafts Association, member of Xiamen Calligrapher Association, member of Zhongxuan Shengshi International Calligraphy and Painting Academy, Visiting professor of Painting and Calligraphy Art Professional Committee of China National Architecture Research Association, council member, honorary president of Chinese-American Publishing House.
创作特点 Icreation characteristic 在书法艺术中，林金田以其超凡脱俗的才情与持之以恒的探索精神，独步书坛，成为行、草、篆、隶四体皆能，尤以草书领域登峰造极的杰出典范。其行书作品，巧妙融合了王羲之的飘逸洒脱与颜真卿的稳重浑厚，每一笔一划皆深蕴文化的底蕴与情感的细腻流露，展现出非凡的艺术魅力。至于草书，更是林金田艺术灵魂的极致绽放。他笔下生风，线条或如龙腾九天，雄浑壮阔；或似细丝游走，轻盈曼妙，墨色在宣纸上自由跳跃，仿佛能听见那墨香交织的旋律，每一转折、每一顿挫，都是心灵与自然间和谐共鸣的绝美乐章。林金田的草书，不仅是对古典技法的炉火纯青，更是其个人情感与哲思的深刻烙印，干湿浓淡间自由转换，如同山间清泉，时而低吟浅唱，时而激流澎湃，展现出一种超脱尘世的韵律美与勃勃生机。他巧妙地在“骨”与“肉”之间寻求平衡，刚健的骨架构筑起作品的力度与气魄，而温润的墨色则赋予了作品以灵魂与温情，两者相互依存，共同编织出一个刚柔并济的艺术境界。在结体布局上，林金田展现出了非凡的创造力与独到的审美视角，每个字都是匠心独运的艺术结晶，既恪守书法之道，又勇于突破陈规，创造出别具一格的形态与韵味。字间大小错落，疏密有致，收放自如，对比鲜明而又不失和谐统一，为观者带来强烈的视觉冲击与心灵的触动。 In the art of calligraphy, Lin Jintian, with his extraordinary talent and persistent spirit of exploration, is unique in the world of calligraphy, and has become an outstanding example in the field of calligraphy, calligraphy, calligraphy and calligraphy. His running works skillfully blend Wang Xizhi's flowing and free and Yan Zhenqing's steady and profound, each stroke is a deep cultural heritage and delicate emotional revelation, showing extraordinary artistic charm. As for cursive, it is the ultimate bloom of Lin Jintian's artistic soul. He writes wind, lines or like the dragon teng nine days, vigorous and magnificent; Or like silk walking, light and graceful, the ink on the rice paper jumps freely, as if you can hear the ink intertwined melody, every turn, every setback, is a beautiful movement of harmonious resonance between the heart and nature. Lin Jintian's cursive writing is not only a pure expression of classical techniques, but also a profound brand of his personal feelings and philosophy. It freely changes between dry, wet and dark, like a clear spring in the mountains, sometimes crooning shallow singing, sometimes surging, showing a rhythmic beauty and vitality beyond the world. He cleverly seeks a balance between "bone" and "flesh". The strong skeleton builds the strength and spirit of the work, while the warm ink gives the work soul and warmth. The two are interdependent and weave together an artistic realm of hardness and tenderness. In the layout of the knot, Lin Jintian shows extraordinary creativity and unique aesthetic perspective, each word is a crafty artistic crystallization, not only abide by the way of calligraphy, but also the courage to break through the old rules to create a unique form and charm. The size of the words is scattered, the density is smooth, the closure is free, and the contrast is sharp without losing harmony and unity, which brings strong visual impact and spiritual touch to the viewers. 所获荣誉 Ihonor 2016年6月在“第三届中国世界功夫茶大赛”“ 千幅茶书法”冲刺世界纪录邀请展中荣获“优秀作品奖”；在真迹人物风云榜网络投票活动中获得“真迹艺术精英”称号;2017年真迹中国最具影响艺术家决赛三等奖; 2017年中国骄傲年度人物艺术家; 2018年荣获十三届全国两会重点推荐“人民艺术家”称号; 2018年中国改革开放40周年功勋艺术家; 2018年9月在“不忘初心，牢记使命”第二届书画大展中，荣获银奖; 2018年经国家邮政部门审批，正式被“一带一路中国梦”珍藏邮册收录; 2018年11月16日 “新时代新未来” ——“真迹杯”中特授予“最具人气书法家”称号；2019年3月经十万艺术中心艺术品评估委员会联合评估认定，已通过至“全国书 画大师信息库”平台认证; 2019年在献礼全国两会报道中被授予“人民艺术家”荣誉称号; 2019年4月30日在“新时代大国巨匠”中国最具影响力书法家活动中特授予“最受欢迎书法家”称号；2019年6月中国教育电视台《泼墨中华情组委会》举办喜迎建国七十周年，作品《毛泽东七律·人民解放军占领南京》荣获优秀奖; 2019年7月在庆祝中美建交四十周年，被授予“大国文化形象大使”荣誉称号。2021年中国楹联学会书法艺术研究会特邀作为时代丹青翰墨名家—特邀书画家献礼全国两会；2021年3月美丽中国推出献礼建党100周年作为特别推荐艺术家在国家官网进行重点推荐和报道。部分优秀代表作品入编当代名家作品集《联墨艺术进校园》；新文艺《礼赞新时代 奋进新文艺—书画新风尚人物特刊》《书画家名人录》《国学艺术大师集锦—孔子诞辰2570年》等多部书籍。 His works have been exhibited and won awards many times. In June 2016, won the "Excellent Works Award" in the "Thousand Pieces of Tea Calligraphy" Sprint World Record Invitational Exhibition of the "Third China World Kungfu Tea Competition"; Won the title of "Authentic Art Elite" in the online voting activity of the Authentic People's Influential List; The third prize of the 2017 Authentic Chinese Most Influential Artist Final; 2017 China Pride Artist of the Year; In 2018, he won the title of "People's Artist" recommended by the 13th National Two Sessions; In 2018, the 40th anniversary of China's reform and opening up; In September 2018, he won the silver Award in the second painting and Calligraphy Exhibition of "Never forget the original intention, remember the Mission"; In 2018, it was approved by the national postal department and officially included in the "Belt and Road Chinese Dream" collection album; On November 16, 2018, "New Era and New Future" was awarded the title of "Most Popular Calligrapher" by "Authentic Cup"; In March 2019, the art Evaluation Committee of 100,000 Art Center jointly evaluated and confirmed that it had passed the certification of the "National Painting and Calligraphy Master Information Database" platform; In 2019, he was awarded the honorary title of "People's Artist" in the report of the National Two Sessions; On April 30, 2019, it was awarded the title of "Most Popular Calligrapher" in the "New Era Great Power Master" China's Most Influential Calligrapher activity; In July 2019, in celebration of the 40th anniversary of the establishment of diplomatic relations between China and the United States, he was awarded the honorary title of "Great Country Cultural Image Ambassador". In 2021, the Calligraphy Art Research Association of the Chinese Couplet Society was specially invited to present the National Two Sessions as a master of Danqing calligraphy and ink of The Times. In March 2021, Beauty China launched a tribute to the 100th anniversary of the founding of the Party as a special recommended artist to focus on the national official website recommendation and report. Some outstanding representative works were compiled into the contemporary famous works collection "Lianmo Art into Campus"; New literature and Art "Praise the New Era Forging New literature and art - New Fashion Figures of calligraphy and painting Special issue", "Famous Calligraphers and painters", "Collection of Chinese art masters - 2570 years of Confucius's birth" and many other books. 影响和评价 IImpact and evaluation 林金田在书法界的影响力不仅体现在他的艺术成就上，还体现在他对书法界的引领作用。他的创作理念和艺术风格对其他书法家产生了一定的影响，推动了书法艺术的不断发展和创新。他的作品也为书法界的展览和交流活动增添了新的亮点和活力。 Lin Jintian's influence in the calligraphy industry is not only reflected in his artistic achievements, but also in his leading role in the calligraphy industry. His creative concept and artistic style have had a certain impact on other calligraphers, and promoted the continuous development and innovation of calligraphy. His works also add new highlights and vitality to the exhibition and exchange activities in the calligraphy industry. 作品鉴赏 IAppreciation of works 林金田作品 篆书《偶种杂花成小圃 喜逢佳日得闲身》 赏析：篆书以其规整的结构著称，在林金田的这幅作品中，每个字的笔画都遵循篆书的基本书写规则，线条匀称且布局严谨。无论是“偶”“种”等左右结构的字，还是“花”等上下结构的字，都体现出高度的对称性和稳定性，展现出篆书独特的结构之美。字与字之间在结构上相互呼应，整体上达到了平衡和谐的效果。笔画的长短、粗细、曲直搭配合理，使每个字看起来都像是一件精致的艺术品，体现了书法家对篆书结构把握的深厚功底。 Appreciation: Seal calligraphy is famous for its regular structure. In Lin Jintian's work, the strokes of each word follow the basic writing rules of seal calligraphy, with symmetrical lines and rigorous layout. Whether it is the words of the left and right structure such as "偶" and "seed", or the words of the upper and lower structure such as "flower" reflect a high degree of symmetry and stability, showing the unique structure of the seal book. The words echo each other structurally, and the overall effect of balance and harmony has been achieved. The length, thickness and straightness of the strokes are reasonable, so that each word looks like an exquisite work of art, reflecting the deep foundation of the calligrapher's grasp of the structure of seal calligraphy. 林金田作品《见贤思齐》 赏析：作品中线条体现出古朴、圆润的质感。流畅而富有弹性，起笔、收笔和转折处都处理得自然流畅，没有生硬之感。线条的粗细变化不大，但通过微妙的提按使线条呈现出一定的层次感，犹如玉箸般古朴典雅。 Appreciation: The lines in the work reflect a simple and round texture. It is smooth and elastic, and the start, closing and turning points are handled naturally and smoothly without a sense of stiffness. The thickness of the line does not change much, but through subtle lifting, the lines show a certain sense of hierarchy, as simple and elegant as jade chopsticks. 林金田作品《沁园春·雪》 赏析：作品在布局上体现出了疏密得当的特点。字与字之间的间距适中，既不过于紧凑也不过于松散，使整幅作品看起来疏朗有致。上下联的长度和宽度协调一致，形成了一个统一的整体。在章法上，字与字之间的呼应关系明显，行气连贯。通过线条的走向和字的重心安排，使观众的视线在欣赏作品时能够自然地从一个字过渡到下一个字，体现了书法家对作品整体节奏的把握。 Appreciation: The layout of the work reflects the characteristics of density and appropriateness. The spacing between words is moderate, neither compact nor too loose, making the whole work look clear. The length and width of the upper and lower couplets are coordinated, forming a unified whole. In terms of constitution, the echo relationship between words and words is obvious, and the line is coherent. Through the direction of lines and the arrangement of the center of gravity of words, the audience's sight can naturally transition from one word to the next when appreciating the work, reflecting the calligrapher's grasp of the overall rhythm of the work. 
